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Owning the Guitar of One of my Heros: Kim Simmonds of Savoy Brown

macg1

Member
Joined
Feb 25, 2010
Messages
71
Hi all,

I am the proud new owner of a 1973 Les Paul Custom that used to belong to my hero, Kim Simmonds of Savoy Brown! Short story long, during a trip to St. Petersburg FL (where I now reside) from Houston to visit my then girlfriend (who is now my wife) who had moved back to the Tampa Bay area, we were casually strolling through Downtown St. Pete on a Saturday in May of 2016. We passed by a guitar store/hair salon that is now defunct (the store just moved elsewhere) called Stevie B's (the salon was called Star Booty). I wasn't really looking to buy a guitar but knowing me, the wife suggested we go in. I looked around and nothing really stood out to me, except an old LPC hanging high on the wall. The autograph on the pickguard caught my eye, but I am not a collector so autographed things hold little meaning to me. The wife also noticed the guitar and said "hey isn't that Kim Simmonds from Savoy Brown?“ I said, “yeah it appears to be but who cares?” That is when Stevie, the shop owner approached me. I made casual conversation about the guitar on the wall, and come to find out, it is not just an autographed guitar... It WAS one of Kim's guitars, and his main guitar between 1988 when he acquired it up to the late 90s. I actually had seen Kim play this guitar live! I was immediately curious, but skeptical. However my skepticism was put to rest when the COA written by Kim was provided. I was just beside myself. However, time was running short, we had to leave the store and I did not have a chance to play it. Well, needless to say, I was obsessed for the next 24 hours and could not stop thinking about it. The next morning, a Sunday, the wife asked me first thing "you are thinking about the guitar aren't you?" I said “yeah, but I cannot just buy a guitar without playing it, because I am not a collector.“ I decided to call the store to see if they were open and much to my chagrin they were not. I was leaving town back to Houston on Monday. I had resided to the fact that it just wasn't meant to be. Oh well. I left a message in the store's voice mail and went about my day. About 15 mins later, my phone rings and it is Stevie. He got my message and is willing to open the store just for me. About 30 mins later, there we are... I have the guitar in hand and plugged in. It is a dream. It is a solid dream, a sonic dream, and what a beefy tone! Needless to say, we agreed on a price, I answer the call from Amex to let them know it was really me charging 3K on a Sunday morning and off we went. I was so nervous to hold one of Kim's guitars that I could barely play. But she is home with me in Houston now and wow, what a player!

Fast forward to July of 2016 and Savoy Brown is playing in Seattle. My best friend (and forum member sangandongo) lives in Seattle. He and another friend get us tickets, front row tickets to see Savoy Brown. I sent a message to Kim's management to let them know that I was coming and bringing the guitar with me. After the gig, we had a chance to go back stage and hang for quite a long time (maybe it would have been even longer if I just had been less polite). Kim, Pat, and Garnett were so cool. I had a chance to talk to my hero, reunite him with the guitar (I had planned to see if he wanted to play the guitar during the show, but he politely admitted that at 68, he preferred lighter weight guitars, though this LPC clocks under 10 lbs). He told me that I should go home and check the pickups as they may be 60's humbuckers (he could not remember) because he always changed pickups. These are T tops so I knew a bit better than to hope for a PAF or early Pat number. Anyhow, I had purchased a new pickguard to save the original autographed one. Kim was kind enough to autograph this new one for me and I gifted the original pickguard to my best friend, because he facilitated and instigated not only the purchase but the meeting with Kim. I went home and checked the pickups and turns out they are date stampled Tim Shaw era pickups. They sound stellar. The neck is clean and bell like, the bridge is mid pushed and honky, the way I like it!

I was inspired to write about this because of Fried Okra's Koss Burst story and meeting Paul Rodgers. Although Kim and Savoy Brown never got the recognition like some of their peers, they are still number one in my book and Kim is grossly underrated as a guitarist. Unlike some of his contemporaries, he still plays the heck out of the guitar and is as creative as ever.

Yes I play this guitar, I play it live, I record with it, and it will never leave me.

Another interesting bit about this guitar is that Kim sold it to Johnny Winter's long time guitar tech. Turns out Johnny is the other huge hero of mine and I will write a story about a guitar related to him some other time. The tech sold the guitar to Stevie when he fell ill and needed money for medical bills.


 
Last edited:

Midnight Blues

Well-known member
Joined
Feb 20, 2011
Messages
1,827
Very cool story macg1! Can't imagine what it would be like to own a guitar previously owned by one of your hero's and getting the chance to reunite it with him. Kim's a GREAT player! That's tantamount to me somehow owning Peter Frampton's '54 LP, sadly of course, which would never happen! :laugh2: I have met him several times though.

Anyway, congrats and thanks for sharing!

BTW, your links isn't working. Looking forward to seeing some pics of your beauty!


:salude
 

macg1

Member
Joined
Feb 25, 2010
Messages
71
Very cool story macg1! Can't imagine what it would be like to own a guitar previously owned by one of your hero's and getting the chance to reunite it with him. Kim's a GREAT player! That's tantamount to me somehow owning Peter Frampton's '54 LP, sadly of course, which would never happen! :laugh2: I have met him several times though.

Anyway, congrats and thanks for sharing!

BTW, your links isn't working. Looking forward to seeing some pics of your beauty!


:salude

Issues fixed and cheers to Frampton!
 

blewsbreaker

Well-known member
Joined
Dec 29, 2003
Messages
1,119
Very cool, congrats!
Kim really is a grossly underrated player!
The SB albums with Chris Youlden on vocals are just the best! IMHO.
:salude
 

2002standardmat

Active member
Joined
Oct 19, 2002
Messages
1,152
Great story of that guitar and a cracking fiddle to boot!!!

Doing some more digging into Savoy Brown and Kim Simmonds off the back of this thread and I am loving what I am finding. Thanks for the heads up on some great music, it is always good to discover ‘NOS’ music!!!
 

macg1

Member
Joined
Feb 25, 2010
Messages
71
Great story of that guitar and a cracking fiddle to boot!!!

Doing some more digging into Savoy Brown and Kim Simmonds off the back of this thread and I am loving what I am finding. Thanks for the heads up on some great music, it is always good to discover ‘NOS’ music!!!

Ha! I like that, NOS music. My two favorite records of theirs are Getting to the Point and Raw Sienna, but there is not really a bad one in the whole catalog. They got a bit rockier for a while, and maybe there was some chorusing on the guitar tone, but such was the 80s. I actually finally dove into the 80's 90's and 2000's catalog and I regret not doing it sooner, but like you said, NOS music!
 

macg1

Member
Joined
Feb 25, 2010
Messages
71
:3zone :3zone :3zone

I’m typeless!!!! Just fantastic!!!!


:salude

Thank you! It really to this day seems surreal. I try to see SB live whenever I can, which means I need to fly to do it, because the Tampa Bay area is just not in a good route to any traveling musician. I remember seeing Kim with this guitar when Nathaniel Petersen was on bass. His tone at the time had so much reverb and it was a bit cleaner. He was still playing a nice old Marshall head through a 4x12. It was unreal and hypnotizing. Nowadays seems like he sticks with a Fender DeVille with a TS type pedal (sometimes a Fulldrive) in front. It sounds good, but maybe it is also those Zelinsky guitars he travels with... the tone is just shy of good. Maybe I am wearing tone goggles so to speak, but seems like convenience of carrying gear trumps live tone. I am not judging or criticizing, just some notes from the several past shows.
 

Midnight Blues

Well-known member
Joined
Feb 20, 2011
Messages
1,827
Thank you! It really to this day seems surreal. I try to see SB live whenever I can, which means I need to fly to do it, because the Tampa Bay area is just not in a good route to any traveling musician. I remember seeing Kim with this guitar when Nathaniel Petersen was on bass. His tone at the time had so much reverb and it was a bit cleaner. He was still playing a nice old Marshall head through a 4x12. It was unreal and hypnotizing. Nowadays seems like he sticks with a Fender DeVille with a TS type pedal (sometimes a Fulldrive) in front. It sounds good, but maybe it is also those Zelinsky guitars he travels with... the tone is just shy of good. Maybe I am wearing tone goggles so to speak, but seems like convenience of carrying gear trumps live tone. I am not judging or criticizing, just some notes from the several past shows.

I read ya. That's tough. I try to do the same with Frampton as best I can. We're in the St. Augustine area and between the Ampitheatre and the Ponte Vedra Concert Hall, not to mention Jacksonville, there are some pretty good acts (for my taste anyway) that come around here.

Pretty cool you got to see him using your guitar at some point! That makes it even better!

Might be? One of my favorite players; Jeff Golub (R.I.P.) used to use a Deville (with a Strat) and I thought his tone was fantastic. It seems like you should be able to get a pretty decent tone with a DeVille with a Fulldrive in front? Full disclosure, I'm a Marshall guy.


:salude
 

macg1

Member
Joined
Feb 25, 2010
Messages
71
I read ya. That's tough. I try to do the same with Frampton as best I can. We're in the St. Augustine area and between the Ampitheatre and the Ponte Vedra Concert Hall, not to mention Jacksonville, there are some pretty good acts (for my taste anyway) that come around here.

Pretty cool you got to see him using your guitar at some point! That makes it even better!

Might be? One of my favorite players; Jeff Golub (R.I.P.) used to use a Deville (with a Strat) and I thought his tone was fantastic. It seems like you should be able to get a pretty decent tone with a DeVille with a Fulldrive in front? Full disclosure, I'm a Marshall guy.


:salude

It is a decent tone and most people in an audience would be none the wiser. I fully admit that maybe it is a tone goggles thing, meaning I don't see what I want to see, therefore it doesn't sound as good to me. It's a huge psychological hurdle of the tone freaks and gearheads! :hmm
 

deytookerjaabs

Well-known member
Joined
Nov 6, 2016
Messages
1,601
Nice, I had a '72 just like that one, great guitar though I later traded it for an old p90 firebird:


sMJDO5xl.jpg



Congrats.
 

BrandonH

New member
Joined
Nov 25, 2018
Messages
62
Damn, talk about a great story! Congrats. Now excuse me while I dig into their catalog that I've never listened to!
 

Zentar

New member
Joined
Oct 1, 2011
Messages
830
The natural grain Maple caps that Classics use are gorgeous. I've got two 2016 LPCs in Heritage cherry which I bought because of the plain grain. Sometimes I sit and stare at the Maple grain. Does that mean I'm crazy?

I've also still have Savoy Brown albums.

I put Kim Simmons right up there with Joe Perry, Lonesome Dave, Ron Wood and all the other great 70s guitarists. Nice pics. Simmons looks healthy as a horse. Maybe he should put out a diet book?
 

Dave P

Well-known member
Joined
Oct 13, 2001
Messages
1,080
Cool, I always liked Savoy Brown. On a side note: Years ago my brother and I were driving in his car listening to an old Savoy Brown album at a stupidly loud volume. My brother said it smells like an old Marshall amp burning up, then seconds later a speaker blew up in the car. LOL
 

zombiwoof

Active member
Joined
Feb 22, 2003
Messages
3,565
A friend of mine and I saw Kim Simmonds and his band play in a small bar in Phoenix many years ago, we talked to him a little between sets and he was a nice guy. He must have been having some equipment problems that night, as he was pretty grumpy with the band and sound guy that night, but he and his band sounded great.
Al
 

macg1

Member
Joined
Feb 25, 2010
Messages
71
Hi guys,

Glad I checked back on this thread. Savoy Brown is the one band I listen to on a weekly basis. Johnny Winter, Mike Bloomfield, Earl Hooker and Albert King being the other guitar players I listen to weekly.
 
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