J.D.
Well-known member
- Joined
- May 24, 2006
- Messages
- 10,093
Those Historic ES guitars from '03 - '06 with MRW boards are excellent. Hard to find a bad one :jim
Those Historic ES guitars from '03 - '06 with MRW boards are excellent. Hard to find a bad one :jim
I agree with Al. IR is pretty good, but you also have to realize that Gibson as of 2013 started using steel thumbwheels on the ABR-1.
When you swap these out for plated brass a good bit of that snap is gone. For Historical reference I am personally dying to try Brazilian.
Here are a few photo's of some Brazilian I rounded up. The first board may be useless because of the knots unless i can get them to line up under the inlays.
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I just purchased this 2004 Gibson R9 with a 1 piece top. I have been advised the fingerboard is Madagascar Rosewood
it is being shipped to me now so I am hoping it is as nice in person as it is in pictures
Bill
I just purchased this 2004 Gibson R9 with a 1 piece top. I have been advised the fingerboard is Madagascar Rosewood
it is being shipped to me now so I am hoping it is as nice in person as it is in pictures
Bill
Those Historic ES guitars from '03 - '06 with MRW boards are excellent. Hard to find a bad one :jim
It was a period, where Gibson finally, albeit briefly, acquired the tone woods to reproduce the acoustic response of 50,s ES Gibson's and Les Paul's..it was all to brief, but having learnt of the fragility of the Madagascar eco system, pulling the plug was the only ethical move to make. So treasure your Madagascar Rosewood board Gibson. They won't be round again.
Where do you get this stuff from. Oh, you mean the as elusive as Bigfoot, good wood years: those Historics that are in every measurable way less accurate than the ones made today except to the guys selling them. Lmfao,
Try a 2017/18 Brazilian. It actually has all three correct species of wood if that matters to you. For that “1950s acoustic response”
I had dozens of earlier Historic Les Pauls. The fretboards were ok. I always figured the ones with streaks and light yellow boards were Madagascar so I never cared for them much from an aesthetic point of view. I find the Historics made post 2012 as a whole better acoustically, plugged in or however than the earlier Historics. But my experience is certainly not exhaustive or by any means definitive. I do like Madagascar on my custom shop Martin though.
When a response to your post begins "Where do you get this stuff from"... You can be sure that the respondant has arrived at conclusions without enquiry regarding your character and credibility , a 'punching at shadows' exercise in vain hope of connecting with something..
"I always figured the ones with streaks and light yellow boards were Madagascar so I never cared for them much".
If I'd only known it was this simple JPP-1.. Wood selection would be so easy, the money I could have saved..
I've read through your rambling, slightly disjointed response in hope that a nugget of wisdom lies herein that eludes me, and can only conclude that I am dealing with a superior intellect so beyond me that said nugget may forever lie beyond my reach.. I therefore prostrate myself before the greatest living repository of.. Wit..
But Wait!.. What's this ?
You said ' my experience is certainly not exhaustive or by any means definitive'... What's this? Is it an admission I can respect ? Yes it is. Shalom
Are there examples of BRW on Bursts that are flat sawn like this (or is this rift? Looks flat sawn to me but I'm certainly no expert)? Or were they all 1/4 sawn on bursts?